SCULPTURE
Centered within the gridded skin of the black pedestal lies the suspended scrutiny of an ahistorical object. Under the scored vacuum formed shell lies the floatation of a hand-made polished rock made into fossil form. The grid, an anti-organic man-made construct, is typically used as the measure of coordinates for “space”. Yet in this case the distorted grid signifies the questionable value attributed to the documented history of an object’s origins.